Die Bewegungen des alltäglichen Lebens
sind uns oft so vertraut,
dass wir sie kaum noch bewusst wahrnehmen.
Unser Prozess ist der Versuch
die scheinbar vertrauten Bewegungen
unvertraut (vice verca) zu machen
durch Repetition und Verfremdung mit der Frage:

Wer beherrscht hier eigentlich wen?

PROPOSITION

  1. ‘people doing moves’ supports people bodies
  2. Wants to play
  3. Is self-design
  4. Is movement research of playing and creating; its physical presence, formability and possibilities
  5. The focus is on performing a clear and unambiguous start and endpoint of the movement-pattern. In between everything can happen. Or not
  6. Looks for forms between and beyond movement-oriented cultures and is curious about creative mixed forms
  7. Is an archive and accumulation of movements
  8. There is no right or wrong. You are a human who moves in possibilities.
  9. Is a universal language that does not have to be learned.
  10. This body language is nearly interpreted and understood independently of ethnic and cultural context
  11. Includes different concepts and methods for creating movement
  12.  The concept of humour, banality, intimacy is a focal point
  13. Tries to push boundaries and body conventions
  14. Deals with what an individual body can do: recognize movements, interpret their relevance and intention
  15. People themselves become the result of design and at the same time a designer
  16. Can overcome an alienation of art from humans – or vice versa
  17. Which „normal“ or „abnormal“ ideas and ways of moving our bodies apply in everyday life
  18. How do I perform my character in everyday life.
  19. Should function as a motivation and inspiration for more consciously moves through everyday life.
  20. Means learning, learning and learning
  21. Is change.
  22. Divert your body from its intended use.
  23. Is what people are gonna make out of it.
  24. Can be a starting-point of a conscious mental-state.
  25. Can be fragmented narratives
  26. Can be fragmented fictions
  27. Abstracts and reflects gestures and expression
  28. Can adopt different perspectives on the order of signs
  29. Can move symbols
  30. Can deal with social coding
  31. Can exemplify values
  32. Is body positivity.
  33. Tries to free common everyday things from their unreflected usage environment or banal insignificance and to bring them into the space of abnormalities
  34. Can be independent of techniques of certain styles
  35. Tries to support equal opportunities by recognizing every advantage and disadvantage of an anatomy and physicality.
  36. Tries to take the following perspective: If this is not anatomically possible for me, I have endless possibilities to abstract this movement and load it with another intention.
  37. Tries to enable people to be at the same time autonomous and relational, self-empowered and empathic, connected to themselves and a larger whole; and to bring this knowledge and experience to society.
  38. Tries to relate more consciously to the social and natural environment. 
  39. Tries to show the diversity of perspectives, advantages and limits of somatic methods.
  40. Is perceiving, reacting, trying and error, correcting and repeating.
  41. Furthermore, the intention is to rethink and expand our object-subject relationships of bodies in our everyday life and environment

PROPOSITION

  1. ‘people doing moves’ supports people bodies
  2. Wants to play
  3. Is self-design
  4. Is movement research of playing and creating; its physical presence, formability and possibilities
  5. The focus is on performing a clear and unambiguous start and endpoint of the movement-pattern. In between everything can happen. Or not
  6. Looks for forms between and beyond movement-oriented cultures and is curious about creative mixed forms
  7. Is an archive and accumulation of movements
  8. There is no right or wrong. You are a human who moves in possibilities.
  9. Is a universal language that does not have to be learned.
  10. This body language is nearly interpreted and understood independently of ethnic and cultural context
  11. Includes different concepts and methods for creating movement
  12.  The concept of humour, banality, intimacy is a focal point
  13. Tries to push boundaries and body conventions
  14. Deals with what an individual body can do: recognize movements, interpret their relevance and intention
  15. People themselves become the result of design and at the same time a designer
  16. Can overcome an alienation of art from humans – or vice versa
  17. Which „normal“ or „abnormal“ ideas and ways of moving our bodies apply in everyday life
  18. How do I perform my character in everyday life.
  19. Should function as a motivation and inspiration for more consciously moves through everyday life.
  20. Means learning, learning and learning
  21. Is change.
  22. Divert your body from its intended use.
  23. Is what people are gonna make out of it.
  24. Can be a starting-point of a conscious mental-state.
  25. Can be fragmented narratives
  26. Can be fragmented fictions
  27. Abstracts and reflects gestures and expression
  28. Can adopt different perspectives on the order of signs
  29. Can move symbols
  30. Can deal with social coding
  31. Can exemplify values
  32. Is body positivity.
  33. Tries to free common everyday things from their unreflected usage environment or banal insignificance and to bring them into the space of abnormalities
  34. Can be independent of techniques of certain styles
  35. Tries to support equal opportunities by recognizing every advantage and disadvantage of an anatomy and physicality.
  36. Tries to take the following perspective: If this is not anatomically possible for me, I have endless possibilities to abstract this movement and load it with another intention.
  37. Tries to enable people to be at the same time autonomous and relational, self-empowered and empathic, connected to themselves and a larger whole; and to bring this knowledge and experience to society.
  38. Tries to relate more consciously to the social and natural environment. 
  39. Tries to show the diversity of perspectives, advantages and limits of somatic methods.
  40. Is perceiving, reacting, trying and error, correcting and repeating.
  41. Furthermore, the intention is to rethink and expand our object-subject relationships of bodies in our everyday life and environment
  1. ‘people doing moves’ supports people bodies
  2. ‘people doing moves’ wants to play
  3. ‘people doing moves’is self-design
  4. ‘people doing moves’ is movement research of playing and creating; its physical presence, formability and possibilities
  5. The focus is on performing a clear and unambiguous start and endpoint of the movement-pattern. In between everything can happen. Or not
  6. ‘people doing moves’ looks for forms between and beyond movement-oriented cultures and is curious about creative mixed forms
  7. ‘people doing moves’ is an archive and accumulation of movements
  8. There is no right or wrong. You are a human who moves in possibilities.
  9. ‘people doing moves’ is a universal language that does not have to be learned.
  10. This body language is nearly interpreted and understood independently of ethnic and cultural context
  11. ‘people doing moves’ includes different concepts and methods for creating movement
  12.  The concept of humour, banality, intimacy is a focal point in „people doing moves“
  13. ‘people doing moves’ tries to push boundaries and body conventions
  14. ‘people doing moves’ deals with what an individual body can do: recognize movements, interpret their relevance and intention
  15. People themselves become the result of design and at the same time a designer
  16. ‘people doing moves’ can be fragmented narratives
  17. ‘people doing moves’ can overcome an alienation of art from humans – or vice versa
  18. Furthermore, the intention is to rethink and expand our object-subject relationships of bodies in our everyday life and environment
  1. Which „normal“ or „abnormal“ ideas and ways of moving our bodies apply in everyday life
  2. How do I perform my character in everyday life.
  3. people doing moves should function as a motivation and inspiration, more consciously moves through everyday life.
  4. ‘people doing moves’ means learning, learning and learning
  5. ‘people doing moves’ is change.
  6. Divert your body from its intended use.
  7. ‘people doing moves’ is what people are gonna make out of it.
  8. ‘people doing moves’ can be a starting-point of a conscious mental-state.
  9. ‚people doing moves‘ can be fragmented narratives
  10. ‚people doing moves‘ can be fragmented fictions
  11. ‚people doing moves‘ abstracts and reflects gestures and expression
  12. ‚people doing moves‘ can adopt different perspectives on the order of signs
  13. ‚people doing moves‘ can move symbols
  14. ‚people doing moves‘ can deal with social coding
  15. ‚people doing moves‘ can exemplify values
  16. ‚people doing moves‘ is body positivity.
  17. ‘people doing moves’ tries to free common everyday things from their unreflected usage environment or banal insignificance and to bring them into the space of abnormalities